â¦
âIntroduction
to Part IIâ (in
The Early Italian Poets)
219
â¦
Marti, Poeti del dolce stil nuovo
373-374
â¦
âIntroduction
to Part IIâ (in
The Early Italian Poets)
219
â¦
Marti, Poeti del dolce stil nuovo
373-374
This collection contains 10 texts and images, including:
Early Italian Poets text
Scholarly Commentary
IntroductionÂ
DGR's translation of the second quatrain executes a striking decision about the meaning of the original sonnet. The text of line 5 in Frescobaldi reads âche in questa man siedeâ, thus leaving ambiguous the reference of âquestaâ, which might refer either to the lady. the poet, or Love. The easiest reading (so to speak) would reference either the lady or Love, who is the ultimate master of the arrows of love. DGR's translation arrests one's attention exactly because it chooses the difficilior lectio and places the arrow in the poet's hands. He was probably led to this reading by the Italian text's reference to the ânuova dardoâ (line 5), as if love's arrow, having struck the poet, were now being imagined in another action. However that may be, the effect in the English poem is to suggest that the poem itself is the ânew arrow of strengthââan idea very much in keeping with the programmatic stance of these early Italian poets, but even more so with DGR's belated recovery of their arguments.
DGR's source was either Poeti del Primo Secolo (II. 523) or Raccolta di Rime Antiche Toscane (III. 374).
Textual History: CompositionÂ
Probably an early translation, late 1840s.
Printing HistoryÂ
The translation was first published in 1861 in The Early Italian Poets; it was reprinted in 1874 in Dante and his Circle.