â¦
Gregory, âLife and Works of DGRâ
II. 160.
â¦
Caine, Recollections,
256.
â¦
Gregory, âLife and Works of DGRâ
II. 160.
â¦
Caine, Recollections,
256.
This collection contains 5 texts and images, including:
1911
Scholarly Commentary
IntroductionÂ
DGR sent the poem to Swinburne in a letter of 23 February 1870 as âone of fifty short pieces. . .which I have found among my reliques and rejectedâ from inclusion in the 1870 Poems volume. The latter, nearing the elaborate process of its construction that was begun the previous summer, would be published in April. âAmong several rejected of a semicomic sortâ, DGR thought this âthe bestâ but finally ânot good enough for the bookâ (see Fredeman, Correspondence, 70. 32 ).
Like âThe End of Itâ which he sent in the same letter to Swinburne, this poem indexes the way DGR was thinking about his 1870 volume: as a book that was to represent the entire shape (both formal and historical) of his poetic work.
Textual History: CompositionÂ
WMR dates the poem ca. 1860, though without any real certainty (see his edition of 1911, 208n ).
Printing HistoryÂ
First printed in Caine 256, and first included in an authoritative edition in 1886, and collected thereafter. DGR thought of including it in the 1870 volume and again considered publishing it in Hall Caine's collection Sonnets of Three Centuries (1882) but again decided otherwise. He did give a (revised) copy of the sonnet to Caine, however.
LiteraryÂ
DGR had an intense interest in Elizabethan drama and often went to the theatre. One can't be sure what specific London âRevivalsâ he castigates in the sonnet.