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     xsi:noNamespaceSchemaLocation="file:/C:/Documents%20and%20Settings/wombat/Desktop/xmlEditing/ram.xsd"
     archivetype="rap"
     id="a.s260d"
     type="painting"
     image="a.s260d.tif"
     metatype="web.visual"
     workcode="s260"
     version="d">
 
 
 
 
   <ramheader>
      <filedesc>
         <titlestmt>
            <title>The Salutation of Beatrice</title>
            <title>Jane Morris as Beatrice</title>
            <title>Lady in a Blue Dress</title>
            <author>Dante Gabriel Rossetti</author>
    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
            <copyright>DGR 1828-1882: An Exhibition (Tokyo 1990)</copyright>
         </editionstmt>
         <extent/>
   
   
         <notesstmt/>
         <sourcedesc>
            <citnstruct>
               <title>Lady in a Blue Dress</title>
               <artist>DGR</artist>
               <note/>
               <imageprod>
                  <date compdate="1872">1869; 1872 (circa)</date>
                  <exhibition>Tokyo 1990</exhibition>
                  <copy/>
                  <copy/>
                  <intendedcontext/>
                  <patron>
                     <name/>
                     <date>1872</date>
                  </patron>
                  <originalcost/>
                  <note/>
               </imageprod>
               <provenance>
                  <location>private collection</location>
                  <recnum/>
                  <purchaseprice/>
                  <note/>
                  <archivehist>John Bibby; Christie's sale June 3, 1899 (lot 36),  £199. 10<hi rend="i">s</hi>.; Webster; Joseph Dixon 1899; Christie's sale March 18, 1911 (lot 27); Leicester Galleries; Commander D.R. Brocklebank; Christie's sale June 16, 1970 (lot 153); private collection</archivehist>
               </provenance>
               <physicaldesc>
                  <medium>watercolour</medium>
                  <technique/>
                  <dimensions>19 x 16 in.</dimensions>
                  <frame/>
                  <internalevidence>
                     <signature/>
                     <date/>
                     <assign/>
                     <other/>
                     <note/>
                  </internalevidence>
                  <restoration>
                     <date/>
                     <name/>
                     <desc/>
                  </restoration>
                  <note/>
               </physicaldesc>
               <reproduction>
                  <repro image="a.s260d.m.tif" width="384" height="461">
                     <bibl>
                        <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="201" workcode="s260">
                           <hi rend="i">DGR: An Illustrated Memorial</hi>
                        </xref>, <pages>page 201</pages>.</bibl>
                     <size/>
                     <color/>
                     <note/>
                  </repro>
               </reproduction>
            </citnstruct>
            <fileprod>
               <itemtype/>
               <hardware/>
               <software/>
               <scanmode/>
               <finalres/>
            </fileprod>
         </sourcedesc>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <classification>
            <scheme type="">
               <keyword/>
            </scheme>
         </classification>
         <description/>
         <subject/>
         <addressee/>
         <model>
            <name>Jane Burden Morris</name>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
               </citnliterary>
               <citnpictorial>
                  <title/>
                  <artist/>
                  <bibl/>
                  <note/>
               </citnpictorial>
               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
               </citnmythic>
               <citnhistorical>
                  <event/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnhistorical>
               <citnautobiographical>
                  <name/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnautobiographical>
               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnscenic>
            </listcitn>
         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This water&#8211;colour was perhaps originally intended as a study for the <xref doc="a.s260.rap">painting</xref>, but is complete in and of itself and entirely unlike the 1880-81 work.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconograpic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Benedetti</author>, <xref doc="a.nc242.r646.rad" workcode="s260" from="344" link="dead">
                        <title level="bk">
                           <hi rend="i"> Dante Gabriel Rossetti</hi>
                        </title>
                     </xref>, <pages>344</pages>.
      </bibl>
                  <bibl>
                     <xref doc="a.nd497.r8.a4.rad" workcode="s260" from="105" link="dead">
                        <title level="bk">
                           <hi rend="i">DGR 1828-1882: An Exhibition</hi>
                        </title>
                     </xref>, Tokyo 1990, <pages>105 (plate 54)</pages>.</bibl>
                  <bibl>
                     <author>Marillier</author>,<xref doc="a.nd497.r8.m33.rad" workcode="s260" from="201" to="202">
                        <title level="bk">
                           <hi rend="i">DGR: An Illustrated Memorial</hi>
                        </title>
                     </xref>, <pages>201-02</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" workcode="s260" from="237">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 1, 155-156, 237 (no. 260D).</bibl>
               </p>
            </section>
         </commentaries>
      </profiledesc>
      <revisiondesc/>
   </ramheader>
   <text>
      <body>
         <div0 anchor="0.1" type="sonnet" n="1" title="Second Sonnet from the Vita Nuova">
            <lg>
               <l n="1">
                  <foreign lang="italian">Tanto gentile e tanto onesta pare</foreign>
               </l>
               <l n="2">
                  <foreign lang="italian">La donna mia guand'ella altrui saluta,</foreign>
               </l>
               <l n="3">
                  <foreign lang="italian">Ch'ogni lingua divien tremando muta,</foreign>
               </l>
               <l n="4">
                  <foreign lang="italian">Egli occhi non ardicon di guardare.</foreign>
               </l>
               <l n="5">
                  <foreign lang="italian">Ella sen va sentendosi laudare</foreign>
               </l>
               <l n="6">
                  <foreign lang="italian">Benignamente d'umilta vestuta,</foreign>
               </l>
               <l n="7">
                  <foreign lang="italian">E par che sia una cosa venuta</foreign>
               </l>
               <l n="8">
                  <foreign lang="italian">Di cielo in terra a miracol mostrare.</foreign>
               </l>
               <l n="9">
                  <foreign lang="italian">Mostrasi si piacente a chi la mira,</foreign>
               </l>
               <l n="10">
                  <foreign lang="italian">Che dà per gli occhi una dolcezza al core,</foreign>
               </l>
               <l n="11">
                  <foreign lang="italian">Che intender non la può chi non la prova.</foreign>
               </l>
               <l n="12">
                  <foreign lang="italian">E par che della sua labbia si muova</foreign>
               </l>
               <l n="13">
                  <foreign lang="italian">Uno spirto soave, e pien d'amore,</foreign>
               </l>
               <l n="14">
                  <foreign lang="italian">Che va dicendo all'anima: sospira.</foreign>
               </l>
            </lg>
           <note>This <xref doc="a.pq4308.a24.vol3.rad" from="327">sonnet</xref> from Dante's <xref doc="a.9d-1861.raw">
                  <title>
                     <hi rend="i">Vita Nuova</hi>
                  </title>
               </xref> is inscribed on a fictive sheet of paper attached to a tree at the upper left of the
      painting. </note>
         </div0>
      </body>
  </text>
  </ram>