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Grieve,
Art of DGR: Watercolors and Drawings,
65-67
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Surtees, A Catalogue Raisonné, vol. 1, 32-33 (no. 68).
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The PreâRaphaelites , Tate 1984, 275.
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Treuherz, Prettijohn, Becker, Dante Gabriel Rossetti, 173-174.
This collection contains 7 texts and images, including:
Print
Scholarly Commentary
IntroductionÂ
DGR wrote to Madox Brown on 23 May 1854 that he and Elizabeth Siddal âare going to illustrate the old Scottish ballads which Allingham is editing for Routledge. She has just done her first block (from âClerk Saundersâ) and it is lovely. Her power of designing even increases greatly, and her fecundity of invention & facility are quite wonderful, much greater than mineâ ( Fredeman, Correspondence, 54.49 ). This drawing, which was to have been one of those illustrations, treats the ancient ballad of âLord Thomas and Fair Annieâ. The ballad tells the story of a girl of unknown parentage (Annie) who becomes the mistress of Lord Thomas and bears him seven children. When he goes abroad to seek a wife, he brings back Annie's sister Eleanor. When the sisters discover their relationship, Eleanor abandons the marriage plans, Annie and Lord Thomas are wed, and Eleanor returns home. DGR would have known the ballad from Scott's Minstrelsy of the Scottish Border, III. 311-319 .
Production HistoryÂ
Grieve observes that the subject âwas an old favorite with Rossetti and there are rough sketches illustrating it from as early as c. 1846-7. . . .In a small sheet of these studies we see Rossetti arriving at the inclident he wished to showâthe meeting of the sisters âbelow stairsâ, the mistress with her child, the rich sister dressed for the weddingâ ( Grieve, Art of DGR: Watercolors and Drawings, 65-66 ). The finished drawing is one of DGR's finest.
LiteraryÂ
Allingham published The Ballad Book in 1864 but it contained none of the illustrations DGR had projected in his 1854 letter to Brown. It did print a version of the ballad under the title âFair Annieâ ( The Ballad Book, 83-88 ).