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WMR, DGR Designer and Writer, 211-212
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Baum, ed., House of Life, 126-127
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WMR, DGR Designer and Writer, 211-212
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Baum, ed., House of Life, 126-127
This collection contains 20 texts and images, including:
The first edition of the Ballads and Sonnets text
Scholarly Commentary
IntroductionÂ
The sonnet is explicitly linked to the previous sonnet in the sequence of âThe House of Lifeâ, âHope Overtakenâ, and to the one immediately succeeding, âCloud and WIndâ. Baum (127) rightly points out that this sonnet, like the previous sonnet and so many others, âmay be read in two waysâ. He notes that the octave would most easily be read in relation to DGR and his wife while the sestet is torqued in the other direction. The phrase ending line 8, âfor we are hereâ, is the functional pivot for the equivocation. To the degree that the ambiguity pervades this sonnet, that phrase necessarily acquires a haunted and haunting overtone.
Textual History: CompositionÂ
An early draft of the sonnet is in the library of the Delaware Art Museum. Three fair copies survive as well: May Morris's fair copy with DGR's alternate readings in the Fitzwilliam composite âHouse of Lifeâ; a corrected copy gathered in the Troxell composite âHouse of Lifeâ sequence (this is the manuscript closest to the received text); and the holograph fair copy in the Bodleian Kelmscott Love Sonnets group.
Printing HistoryÂ
First published in the 1881 Ballads and Sonnets and collected thereafter.