Rossetti Archive Bibliography

and works cited

This is not a comprehensive bibliography of scholarly work on Rossetti and his circle but a list of the works that have been specifically used and cited in the preparation of the online Archive. The standard bibliography for Rossetti's works is John Gregory's 1931 University of London Ph.D. thesis; the standard guide to the Pre-Raphaelite Movement is William E. Fredeman's 1965 Bibliocritical Study; and the most comprehensive listing of scholarly works is Francis Fennell's 1982 Annotated Bibliography (all cited below). Current scholarship is made available in the Modern Language Association's annual bibliography; in the annual bibliography published in Victorian Studies; and in the Bibliography of the History of Art and the Art Full Text bibliographical database.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A

About, Edmond Francois Valentin. Voyage a travers l'Exposition des Beaux–Arts (peinture et sculpture). Paris: Hachette, 1855.

Academy, The. London: John Murray, 1869; Williams and Norgate, 1870–73; William Greig Smith, 1874; Robert Scott Walker, 1875–78; Henry Villiers, 1880–96.

Adlard, John. “Rossetti's Willowwood.” Notes and Queries 217 (1972): 153–154.

Agosta, Lucien L. “Animate Images: The Later Poem–Paintings of Dante Gabriel Rossetti.” Texas Studies in Language and Literature 23 (1981): 78–101.

Agresti, Antonio, trans. Poesie di Dante Gabriele Rossetti: traduzione dall'inglese di Antonio Agresti con uno studio su la pittura inglese, e su l'opera pittorica e la vita dell'autore. By Dante Gabriel Rossetti. Firenze: Barbera, 1899.

Ainsworth, Maryan Wynn. “D. G. Rossetti's ‘Dantis Amor’.” Journal of Pre-raphaelite and Aesthetic Studies 1.1 (1980): 69–78.

Ainsworth, Maryan Wynn. Dante Gabriel Rossetti and the Double Work of Art. New Haven: Yale U. Art Gallery, 1976.

Ainsworth, Maryan Wynn. “‘The Prince's Progress’: Works from 1863 to 1871”, in Double Work of Art 73–94.

Alighieri, Dante. Dante's Lyric Poetry. Eds. K[enelm] Foster and P[atrick] Boyde. Oxford: Clarendon, 1967.

Alighieri, Dante. Opere Minori. Letteratura Italiana 5. Eds. Domenico de Robertis and Gianfranco Contini. Milano and Napoli: Riccardo Ricciardi, 1979.

Alighieri, Dante. Opere Minori di Dante Alighieri. Ed. Pietro Iacopo Fraticelli. Vol. 1. Firenze: Allegrini e Mazzoni, 1834.

Alighieri, Dante. Opere Minori di Dante Alighieri. Ed. Pietro Iacopo Fraticelli. Vol. 3 (Vita Nuova). Firenze: Allegrini e Mazzoni, 1839.

Alighieri, Dante. Rime della maturita e dell'esilio. Eds. M[ichele] Barbi and V[incenze] Pernicone. Firenze: Le Monnier, 1969.

Alighieri, Dante. Vita Nuova. Ed. Domenico de Robertis. Milano and Napoli: Riccardo Ricciardi, 1980.

Allacci, Leone, ed. Poeti Antichi Raccolti da Codici MSS della Biblioteca Vaticana, e Barberina. Napoli: Sebastiano Alleci, 1661.

Allen, Virginia M. “One Strangling Golden Hair: Rossetti's Lady Lilith.” Art Bulletin 66 (1984): 285–94.

Allen, Vivien. Dear Mr Rossetti: The Letters of Dante Gabriel Rossetti and Hall Caine 1878–1881. Sheffield: Sheffield Academic Press, 2000.

Allentuck, Marcia M. “A New Rossetti Critique of Deverell”. Papers of the Bibliographical Society of America 72 (1978): 235–237.

Alessia, Joseph, ed. The Poetry of Dino Frescobaldi. New York: P. Lang, 1983.

Allingham, H[elen Paterson], and D[ollie] Radford, eds. William Allingham: A Diary. London: Macmillan and Co., Ltd., 1908.

Allingham, William. The Ballad Book. London: Macmillan, 1872.

Allingham, William. Day and Night Songs. London: Routledge, 1854.

Allingham, William. Flower Pieces and Other Poems. London: Reeves and Turner, 1888.

Allingham, William. Laurence Bloomfield in Ireland: A Modern Poem. London: Macmillan, 1864.

Allingham, William. The Music Master. London: Routledge, 1855.

Andres, Sophia. “Elizabeth Gaskell’s Re–Presentations of Pre–Raphaelite Gendered Boundaries.” Journal of Pre–Raphaelite Studies ns 11.1 (2002): 39–62.

Angeli, Elena Rossetti [Helen Rossetti Angeli]. Dante Gabriel Rossetti con 107 illustrazioni. Collezione di monografie illustrate. Serie: Artisti Moderni, 1. Bergamo: Istituto Italiano D'Arti Grafiche, 1906.

Angeli, Helen Rossetti. Dante Gabriel Rossetti: His Friends and Enemies. London: Hamish Hamilton, 1949.

Arnold, Matthew. The Strayed Reveller, and Other Poems. London: Fellowes, 1849.

Arnold, William Harris. Ventures in Book Collecting. New York: Scribner's, 1923.

Ash, Russell. Dante Gabriel Rossetti. London: Pavilion, 1995.

Ash, Russell. Sir Edward Burne–Jones. New York: Abrams, 1993.

Asmar, Maria Theresa. Memoirs of a Babylonian Princess. Philadelphia: Zieber, 1845.

Athenaeum. London: William Lewer, 1828; F.C. Westley, 1829–38; John Francis, 1838–1918; British Periodicals, 1920–21.

Austin, Carolyn F.. “Mastering the Ineffable: Dante Gabriel Rossetti's ‘The Vase of Life’ and the Kantian Sublime” Victorian Poetry 45 (2007): 159–173.

B

Baker, Houston. “The Poet's Progress: Rossetti's ‘The House of Life’.” Victorian Poetry 8 (1970): 1–14.

Bandelin, Susan Ball. “Allegorizing on ‘One's Own Hook’: Works before 1863”. in Ainsworth, Double Work of Art37–72.

Bann, Stephen. Paul Delaroche: History Painted. Princeton, NJ: Princeton UP, 1997. 204-210.

Barber, Giles. “Rossetti, Ricketts, and Some English Publishers' Bookbindings of the Nineties.” The Library 5th ser. 25 (1970): 314–330.

Barberino, Francesco da. Documenti d'Amore. Rome: Vitale Mascardi, 1640.

Barberino, Francesco da. Del reggimento e de'costumi delle donne. Milano: Silvestri, 1842.

Barker, Nicolas and John Collins. A Sequel to An Enquiry into the Nature of Certain Nineteenth Century Pamphlets. London: Scolar Press, 1983.

Barlow, Henry Clark. On the Vernon Dante. London: Williams and Norgate, 1870.

Barolsky, Paul. “Walter Pater's Renaissance.” Virginia Quarterly Review 58 (1982): 208–20.

Barot, Francoise Odysse. Histoire de la litterature contemporaine en Angleterre, 1830–1874. Paris: Charpentier, 1874.

Barringer, Tim. The Pre–Raphaelites. London: Orion, 1998.

Bartram, Michael. “The Pre–Raphaelite Camera.” Art in America 75 (1987): 21–45.

Bartram, Michael. The Pre–Raphaelite Camera: Aspects of Victorian Photography. London: Weidenfeld and Nicholson, 1985.

Bartram, Michael. Pre–Raphaelite Photography. London: British Council, 1983.

Bass, Eben B. Dante Gabriel Rossetti, Poet and Painter. New York: Lang, 1990.

Bate, Percy H. The English Pre–Raphaelite Painters, Their Associates and Successors. London: G. Bell and Sons, 1899.

Bate, Percy H. The English Pre–Raphaelite Painters, Their Associates and Successors. 1901. Freeport, NY: Books for Libraries Press, 1970.

Baum, Paull Franklin. “The Bancroft Manuscripts of Dante Gabriel Rossetti.” Modern Philology 39 (1941): 47–68.

Baum, Paull Franklin. “The Blessed Damozel”: The Unpublished Manuscript, Texts and Collation. Chapel Hill: U of North Carolina P, 1937.

Baum, Paull Franklin. Dante Gabriel Rossetti: An Analytical List of Manuscripts in the Duke University Library With Hitherto Unpublished Verse and Prose. Durham, NC: Duke UP, 1931.

Baum, Paull Franklin, ed. The House of Life. By Dante Gabriel Rossetti. Cambridge, MA: Harvard UP, 1928.

Baum, Paull Franklin, ed. Poems, Ballads and Sonnets. By Dante Gabriel Rossetti. New York: Doubleday Doran, 1937.

Baum, Paull Franklin. “Rossetti’s ‘The White Ship.’” Library Notes (Duke University) 20 (1948): 2–6.

Bayard, Jane. “‘Lustral Rites and Dire Portents’: Works from 1871 to 1882”. in Ainsworth, Double Work of Art95–122.

Beegel, Susan. “Rossetti's Sonnets and Paintings on Mary's Girlhood: A Case Study in Reciprocal Illustration.” Journal of Pre–Raphaelite Studies 2.2 (1982): 1–6.

Bell, Malcolm. Sir Edward Burne–Jones: A Record and Review. London: Bell, 1892.

Bendiner, Kenneth. The Art of Ford Madox Brown. University Park, PA: Pennsylvania State UP, 1998.

Benedetti, Maria Teresa. Dante Gabriel Rossetti. Milan: Charta, 1998.

Benedetto, Luigi di, ed. Rimatori de dolce stil novo. Bari: Laterza e Figli, 1939.

Bennett, Mary. Artists of the Pre–Raphaelite Circle, the First Generation: Catalogue of Works in the Walker Art Gallery, Lady Lever Art Gallery and Sudley Art Gallery. London: National Museums and Galleries on Merseyside in Association with Lund Humphries, 1988.

Bennett, William Cox. Songs for Sailors. London: King, 1872.

Bentley, D. M. R. “The Belle Assemblee Version of ‘My Sister's Sleep’.” Victorian Poetry 12 (1974): 321–334.

Bentley, D. M. R. “‘The Blessed Damozel’: A Young Man's Fantasy.” Victorian Poetry 20/1 (Spring 1982): 31–43.

Bentley, D. M. R. “Dante Rossetti's Lady Lilith, Sibylla Palmifera, ‘Body's Beauty’ and ‘Soul's Beauty’.” Journal of Pre–Raphaelite Studies ns 13.2 (2004): 63–74.

Bentley, D. M. R. “In the Shadow of Death: The Card–Dealer by Dante Gabriel Rossetti.” Colby Library Quarterly 17 (1981): 161–169.

Bentley, D. M. R. “ ‘La Bocca mi Bacio’: The Love Kiss in the Works of Dante Gabriel Rossetti.” Journal of Pre–Raphaelite Studies ns 16 (2007): 31–44.

Bentley, D. M. R. “Light, Architecture, and Awe in Rossetti's Early Annunciations.” Ariel 7 (1976): 22–30.

Bentley, D. M. R. “Love for Love: Dante Gabriel Rossetti's Bocca Baciata and ‘The Song of the Bower’.” Journal of Pre–Raphaelite Studies ns 12.2 (2003): 5–16.

Bentley, D. M. R. “Making an Unfrequented Path of Art of his Own: Dante Rossetti's Paintings in the Aesthetic Mode.” Journal of Pre–Raphaelite Studies ns 17 (Spring 2008): 21–35.

Bentley, D. M. R. “Political Themes in the Work of Dante Gabriel Rossetti.” Victorian Poetry 17 (1979): 159–79.

Bentley, D. M. R. “Rossetti and the Hypnerotomachia Poliphili.” English Language Notes 14 (1977): 279–83.

Bentley, D. M. R. “Rossetti's ‘Bride Chamber Talk’.” Wascana Review 11.2 (1976): 83–97.

Bentley, D. M. R. “Rossetti's ‘Ave’ and Related Pictures.” Victorian Poetry 15 (1977): 21–35.

Bentley, D. M. R. “Rossetti's ‘Hand and Soul’”. English Studies in Canada 3 (1977): 445–57.

Bentley, D. M. R. “Rossetti's Pre–Raphaelite Manifesto: The ‘Old and New Art’Sonnets.” English Language Notes 15 (1978): 197–203.

Bentley, D. M. R. “Seroux d'Agincourt's Histoire as a Possible Point of Departure forTwo Pictures by Dante Gabriel Rossetti,and Some Contingent Observations.” Journal of Pre–Raphaelite Studies ns 11.2 (2002): 33–42.

Bentley, D. M. R. “The Source of D. G. Rossetti’s ‘Combination from Sappho,’ and Some of its Implications”. Notes and Queries 237 (June 1992): 18–2.

Bergk, Theodor. Poetae Lyrici Graeci. Lipsiae: Reichenbach Fratres, 1843.

Bettarini, Rosanna, ed. Dante da Maiano. Rime. Firenze: F. Le Monnier, 1969.

Bianchini, Giuseppe. Difesa di Dante. Firenze, 1718.

Bier, Eugene A. “D.G. Rossetti: New Light through Flat Surfaces.” The Pre–Raphaelite Review 1.1 (1977): 80–89.

Bird, Robert Montgomery. The Infidel's Doom, or, Cortes and the Conquest of Mexico. London: Cunningham, 1840.

Bishop, George. The Burden of Babylon and the Triumph of Sion as it was Seen in the Valley of Vision. London: Robert Wilson, 1661.

Book Collector, The. London: Collector Ltd., 1952–.

Books from the Libraries of Christinia, Dante Gabriel, and William Michael Rossetti. Introduction by William R. Fredeman. London: Rota, 1973.

Boos, Florence Saunders. The Poetry of Dante G. Rossetti: A Critical Reading and Source Study. The Hague: Mouton, 1976.

Boos, Florence Saunders. “The Structure of Morris's Tales for the Oxford and Cambridge Magazine.” . Victorian Periodicals Review, 20:1 (1987 Spring), pp. 2-12.

Bornand, Odette, ed. The Diary of W. M. Rossetti 1870–1873. Oxford: Clarendon, 1977.

Bottomly, Gordon. Album of Portraits of Mrs. William Morris (Jane Burden) Posed by Rossetti, 1865. London: Victoria and Albert Museum, 1933.

Bowra, Cecil Maurice. The Romantic Imagination. 1949. New York: Oxford UP, 1969.

Braddon, Mary Elizabeth. Dead Men's Shoes: A Novel. 3 vols. London: Maxwell, 1876.

Bray, Anna Eliza. Life of Thomas Stothard, with Personal Reminiscences. London: Murray, 1851.

Bray, Anna Eliza. Autobiography of Anna Eliza Bray (Born 1789, Died 1883). London: Chapman and Hall, 1884.

Bridger, Charles. An Index to Printed Pedigrees, Contained in County and Local Histories, the Herald's Visitations, and in the More Important Genealogical Collections. London: Smith, 1867.

British Library Catalogue of the Ashley Manuscripts. 2 Vols. London: The British Library, 1999.

Bristow, Joseph. “‘He and I#x2019;: Dante Gabriel Rossetti's Other Man”, in Victorian Poetry 39:3 (2001): 365-388.

Brough, Robert B., trans. Beranger's Songs of the Empire, the Peace, and the Restoration. London: Addey, 1856.

Brown, Alan Willard. The Metaphysical Society: Victorian Minds in Crisis, 1869–1880. New York: Columbia UP, 1947.

Browne, Max. The Romantic Art of Theodor Von Holst, 1810–44: An Introduction to the Life and Work of the Artist on the Occasion of his Sesquicentenary Exhibition in London and Cheltenham. London: Lund Humphries, 1994.

Browne, Max. “A Source for Rossetti: A Painting by Von Holst.” Burlington Magazine CXX no. 899 (Feb. 1978): 88–92.

Brugnolo, Furio, ed. Dino Frescobaldi. Canzoni e Sonnetti. Torino: Einaudi, 1984.

Bryant, Hallman B. “Two Unfinished Pre–Raphaelite Paintings: Rossetti’s Found and F.M. Brown's Take Your Son, Sir! ” Journal of Pre–Raphaelite Studies 3:1 (1982): 56–76.

Bryson, John and Janet Camp Troxell, eds. Dante Gabriel Rossetti and Jane Morris: Their Correspondence. Oxford: Clarendon, 1976.

Buchanan, Robert. The Complete Poetical Works of Robert Buchanan. London: Chatto and Windus, 1901.

Buchanan, Robert. The Fleshly School of Poetry and Other Phenomena of the Day. London: Strahan, 1872.

Buchanan, Robert [pseud. Thomas Maitland]. “The Fleshly School of Poetry: Mr. D. G. Rossetti”. Contemporary Review 18 (1871): 334–50.

Buckler, William E. “‘Once a Week’ under Samuel Lucas, 1859–65.” PMLA 67 (1952): 924–41.

Buckley, Jerome H. The Victorian Temper. Cambridge: Harvard UP, 1951.

Bullen, J. B. The Pre–Raphaelite Body: Fear and Desire in Painting, Poetry, and Criticism. Oxford: Clarendon; New York: Oxford UP, 1998.

Burke, Doreen Bolger, et al. In Pursuit of Beauty: Americans and the Aesthetic Movement. New York: Metropolitan Museum of Art, 1986.

Burne–Jones, Lady Georgiana. Memorials of Edward Burne–Jones. 1904. New York: Macmillan, 1906.

Burnett, T. A. J. The British Library Catalogue of the Ashley Manuscripts. London: The British Library, 1999.

Buttel, Helen. “Rossetti’s ‘Bridal Birth’”. Explicator 23 (1964): 22.

C

Caine, Sir Thomas Henry Hall. My Story. New York: Appleton, 1909.

Caine, Sir Thomas Henry Hall. Recollections of Dante Gabriel Rossetti. Boston: Roberts Brothers, 1883.

Caine, Sir Thomas Henry Hall, ed. Sonnets of Three Centuries: A Selection, Including Many Examples Hitherto Unpublished. London: Stock, 1882.

Caneva, Caterina. Botticelli: catalogo completo dei dipinti. Firenze: Cantini, 1990.

Carleton, William. Traits and Stories of the Irish Peasantry. London: William Tegg, 1872.

Carlyle, Thomas. On Heroes, Hero–Worship, and the Heroic in History. London: Chapman and Hall, 1840.

Carr, Rev. Thomas Swinburne. A History of Greece, for the Use of Schools and Colleges. 2nd ed. London: Simpkin, Marshall, 1849.

Carrington, FitzRoy, ed. Pictures and Poems By Dante Gabriel Rossetti. New York: Russell, 1899.

Carter, John, and Graham Pollard. An Enquiry into the Nature of Certain Nineteenth Century Pamphlets. 2nd ed. London: Scolar Press, 1983.

Cassata, Letterio, ed. Guido Cavalcanti. Rime. Anzio: De Rubeis, 1993.

Cassidy, John A. “Robert Buchanan and the Fleshly Controversy”. PMLA 67 (1952): 65–93.

Casteras, Susan P. “The Double Vision in Portraiture”. in Ainsworth, Double Work of Art9–36.

Casteras, Susan P. “Edward Burne–Jones and The Legend of Fair Rosamund.” Journal of Pre–Raphaelite and Aesthetic Studies 1.1 (1988): 34–44.

Casteras, Susan P. English Pre–Raphaelitism and its Reception in America in the Nineteenth Century. Rutherford, NJ: Fairleigh Dickinson UP; London and Cranbury, NJ: Associated University Presses, 1990.

Catalogue of the Association for Promoting the Free Exhibition of Modern Art. London: Gallery, Hyde Park Corner, 1849.

Cayley, Charles Bagot, trans. Dante's Divine Comedy. 4 vols. London: Longman, 1851–1855.

Cecil, Lord David. Visionary and Dreamer: Two Poetic Painters: Samuel Palmer and Edward Burne–Jones. Princeton: Princeton UP, 1970.

Century Illustrated Monthly Magazine. New York: The Century Company, 1881–1930.

Cervo, Nathan. “Petrarch’s Cervo and Cerva: The Secret of D. G. Rossetti’s ‘The Stream’s Secret”. Victorian Poetry 28 (1990): 158–163.

Cervo, Nathan. “Rossetti’s ‘Ave’.” Explicator 47 (1989): 37–40.

Champneys, Basil. Memoirs and Correspondence of Coventry Patmore. London: Bell, 1900.

Chapman, Alison and Joanna Meacock. A Rossetti Family Chronology. London: Palgrave, 2007.

Chesneau, Ernest. Les nations rivales dans l‘art Angleterre, Belgique, Hollande, Baviere, Prusse, Etats du Nord, Danemark, Suede et Norwege, Russie, Autriche, Suisse, Espagne, Portugal, Italie, Etats–Unis d‘Amerique, France : l‘art japonais : de l‘influence des expositions internationales sur l‘avenir de l‘art. Paris: Didier, 1868.

Chesneau, Ernest. La peinture anglaise. Paris: Quantin, 1882.

Chesneau, Ernest. La Chimere. Paris: Charpentier, 1879.

Chielens, Edward, ed. American Literary Magazines: The Eighteenth and Nineteenth Centuries. New York: Greenwood, 1986.

Child, Francis James, ed. English and Scottish Ballads. London: 1861.

Christie, James W. “A Pre–Raphaelite Dispute: ‘Rosabell’, ‘Jenny’, and Other Fallen Women”. Pre–Raphaelite Review 1.2 (1978): 40–48.

Cicciaporci, Antonio, ed. Rime di Guido Cavalcanti. Firenze: Presso Niccolo Carli, 1813.

Cline, C.L. The Owl and the Rossettis. Letters of Charles A. Howell and Dante Gabriel, Christina, and William Michael Rossetti. University Park: Pennsylvania State UP, 1978.

Clough, Arthur Hugh and Thomas Burbridge. Ambarvalia: Poems. London: Chapman and Hall, 1849.

Collingwood, William Gershom. The Life and Work of John Ruskin. Boston: Houghton Mifflin, 1893.

Colonna, Francesco. Hypnerotomachia Poliphili. Venice: Aldus Manutius, Romanus, 1499.

Colvin, Sidney. “English Painters and Painting in 1867.” Fortnightly Review ns 2 (October 1867): 473–76.

Colvin, Sidney. Memories and Notes of People and Places 1852-1912. London: Arnold, 1921.

Condivi, Asciano. Vita di Michelangelo Buonarroti. a cura di Giovani Nencioni. Firenze: Lungarno Guicciardini, 1998.

Contemporary Review. London: A. Strahan, 1866–72, 1873–76, 1876–82; Henry S. King, 1872–73, 1876; Isbister, 1882–99; Columbus Co., 1900–.

Conti, Giusto de'. Il Canzoniere, a cura di Leonardo Vitetti. 2 vols. Lanciano: R. Carabba, 1918.

Contini, Gianfranco, ed. Letteratura italiana delle origini. Firenze: Sansoni, 1970.

Contini, Gianfranco, ed. Poeti de Duecento. 2 vols. Milano–Napoli: Riccardo Ricciardi, [1960].

Cook, E. T., and Alexander Wedderburn, eds. The Works of John Ruskin. Library Edition. 39 vols. London: Allen and Unwin, 1903–1910.

Coombs, James, ed. A Pre–Raphaelite Friendship: The Correspondence of William Holman Hunt and John Lucas Tupper. Ann Arbor, MI: UMI Research Press, 1986.

Cooper, Robert N. Lost on Both Sides: Dante Gabriel Rossetti, Critic and Poet. Athens: Ohio State UP, 1970.

Cooper, Suzanne Fagence. “Aspiring to the Condition of Music: Painting in Britain 1860-1900”, in Nineteenth-century British Music Studies. 2 vols. Aldershot: Ashgate, 2002: 2. 251-277.

Cooter, R. J. The Cultural Meaning of Popular Science: Phrenology and the Organization of Consensus in Nineteenth-Century Britain. Cambridge: Cambridge UP, 1984.

Cornwall, Barry, R.H. Horne et al., eds. The Complete Works of William Shakespeare. 3 vols. London and New York: The London Printing and Publishing Company (Ltd.), 1858.

Corsi, Giuseppe, ed. Il Dittamondo e le Rime di Fazio Degli Uberti. 2 vols. Bari: Laterza, 1952.

Corsi, Giuseppe ed. Rimatori del trecento. Torino: Unione tipografico–editrice torinese, 1969.

Cottle, Joseph. Reminiscences of Samuel Taylor Coleridge and Robert Southey. London: Hutchinson and Stoneman, 1847.

Cox, Charles and Simon Nowell–Smith. “D. G. Rossetti’s ‘Early Italian Poets,’ 1861. ”The Book Collector 25 (1976): 547–48.

Crabbe, John K. “D.G. Rossetti’s ‘Five English Poets’: Another Side of the Anti–Lyric.” The Pre–Raphaelite Review 1.1 (1977): 39–46.

Crayon, The. London: W. J. Stillman and J. Durand, 1855–61.

Crescimbeni, Giovanni. L'istoria della volgar poesie.Venzia: Presso Lorenzo Basegio. 6 vols. 1730–31.

Critic, The. London: John Crockford, 1843–63.

Crowe, Catherine. Susan Hopley. Edinburgh: W. Tait, 1842.

Culler, Dwight and Helen. “The Sources of ‘The King’s Tragedy’.” Studies in Philology 41 (1944): 427–441.

Culler, Helen Simpson. “Studies in Rossetti's Reading.” Diss. Yale U, 1943.

Cummings, Frederick J., and Allen Staley. Romantic Art in Britain: Paintings and Drawings 1760–1860. New York: Praeger, 1969.

Cunningham, Allan. “The Elfin Miller of Croga Mill.” Legends of Terror, and Tales of the Wonderful and the Wild. London: G. Creed, 1840.

D

Dallas, E. S. The Gay Science. London: Chapman and Hall, 1866.

Dante Gabriel Rossetti 1828–1882: An Exhibition. Tokyo: Bunkamura Museum of Art, The Tokyo Shimbun, 1990.

Dante Gabriel Rossetti: Painter and Poet. Birmingham: Royal Academy and Museum and Art Gallery, 1973.

Dark Blue, The. London: Sampson Low, 1871; British and Colonial Publishing, 1871–73.

Davies, John Llewelyn and David James Vaughan, eds. The Republic of Plato. London and Cambridge: Macmillan, 1852.

Davies, William. The Pilgrimage of the Tiber from its Mouth to its Source, with Some Account of its Tributaries. London: Sampson Low, 1873.

Dawson, Gowan. “Intrinsic Earthliness: Science, Materialism, and the Fleshly School of Poetry.” Victorian Poetry 41.1 (2003): 113–129.

Decker, Clarence. The Victorian Conscience. New York: Twayne Publishers, 1952.

Demoor, Marysa. “Art–Catholic Revisited: Dante Rossetti's Early Paintings and Northern Renaissance Art.” The Journal of Pre–Raphaelite Studies ns 14.1 (2005): 5–14.

Demoor, Marysa. The Fair Share: Women, Power, and Criticism in the Athenaeum from Millicent Garrett Fawcett to Katherine Mansfield. London: Ashgate, 2000.

Donovan, Cornelius. Discussion of Phrenology; between Charles [sic] Donovan and Brewin Grant . . . held in the new Odd fellows' hall . . . 1849. London: B.L. Green, 1849.

Doughty, Oswald, and John Robert Wahl, eds. Letters of Dante Gabriel Rossetti, 1828–1882. 4 vols. Oxford: Clarendon, 1965–67.

Doughty, Oswald, ed. The Letters of Dante Gabriel Rossetti to his Publisher, F. S. Ellis. London: Scholartis, 1928.

Doughty, Oswald. A Victorian Romantic: Dante Gabriel Rossetti. 2nd ed. London: Oxford UP, 1960.

Douglas, James. Theodore Watts-Dunton. Poet Novelist Critic. London: John Lane, 1904.

Dowden, Edward. Letters of Edward Dowden and His Correspondents. London: Dent; New York: Dutton, 1914.

Dunn, Henry Treffry. Recollections of Dante Gabriel Rossetti and His Circle (Cheyne Walk Life). New York: Pott; London: Mathews, 1904.

Durling, Robert M., and Ronald L. Martinez. Time and the Crystal: Studies in Dante’s Rime Petrose. Berkeley: U of California P, 1990.

E

Edelstein, T. J. “The Yellow–Haired Fiend: Rossetti and the Sensation Novel.” The Library Chronicle (U. of Pennsylvania) 43 (1979): 180–193.

Egidi, Francesco, ed. Le Rime di Guittone D’Arezzo. Bari: Laterza, 1940

Ehrenpreis, Anne Henry. “Swinburne's Edition of Popular Ballads.” PMLA 78 (1963): 559-571.

Ellis, Steve. Dante and English Poetry: Shelley to T. S. Eliot. Cambridge: Cambridge UP, 1983.

Elzea, Rowland. The Samuel and Mary R. Bancroft Jr. and Related Pre–Raphaelite Collections. Wilmington: Delaware Art Museum, 1984.

English Drawings and Watercolours. 15 December 1981. London: White Bros., Ltd., 1981.

English Drawings and Watercolours. 5 June 1984. London: White Bros., 1984.

English Drawings and Watercolours. 18 December 1984. London: White Bros., 1984.

English Drawings and Watercolours. Tuesday 14 May 1985. London: White Bros., 1985.

English Drawings and Watercolours. Tuesday 27 October 1987. Christie’s London: White Bros., 1987.

English Review, The. London: Gerald Duckworth, 1908–09; Chapman and Hall, 1909–10; English Review, 1910–24, 1936–37, et al.

Erdman, David V., and Donald K. Moore, eds. The Notebook of William Blake. Rev. ed. New York: Readex Microprint, 1977.

Everett, Edwin Mallard. The Party of Humanity: The Fortnightly Review and its Contributors. Chapel Hill, NC: U of North Carolina P, 1939.

Exhibition of the Pre–Raphaelite Drawings and Watercolours. London: Arts Council, 1953.

F

Faithfull, Emily, ed. Poems: An Offering to Lancashire. London: Victoria Press, 1863.

Faithfull, Emily, ed. A Welcome: Original Contributions in Poetry and Prose. London: Faithfull, 1863.

Faxon, Alicia Craig. Dante Gabriel Rossetti. New York: Abbeville Press, 1989.

Faxon, Alicia Craig. “D.G. Rossetti and His Models.” Journal of Pre–Raphaelite Studies 5.2 (1985): 54–67.

Faxon, Alicia Craig. “Thoughts on D.G. Rossetti’s Humor.” Journal of Pre–Raphaelite Studies ns 7.2 (1987): 80–89.

Fennell, Francis L. Dante Gabriel Rossetti: An Annotated Bibliography. New York: Garland, 1982.

Fennell, Francis L., ed. The Rossetti–Leyland Letters: The Correspondence of an Artist and his Patron. Columbus: Ohio State UP, 1978.

Fennell, Francis L. “Rossetti and Philip Bourke Marston.” Journal of Pre–Raphaelite Studies 3.2 (1983): 19–25.

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